published on Friday, August 6, 2021 at 4:00 p.m. EDT
Scott Kelby’s 10 Amazing Tips for Editing Landscapes
Scott Kelby joined B&H to give a presentation at Optic 2021, B&H’s outdoor photo / video, wildlife and travel conference. Kelby’s overview offers 10 landscape photo editing tips, including learning how to use Lightroom and Photoshop, replace a sky, add fog, remove smudges, and more.
David Bergman answers questions about using multiple flashes
In the latest episode of “Ask David Bergman,” viewer Jon S asks, “If I use two flashes side-by-side, does that increase the flash output or coverage? Another viewer, Ben W., asks, “What is the difference between using a 300 w / s flash and using a 600 w / s flash at half power?” For example, if I take most of my flash photos in a small home studio, why would I need a light with an output power greater than 300 watt-seconds, since this will illuminate most full-sized rooms? ? Am I missing something? ‘ Bergman answers these questions and more. If you have a question for David Bergman, head to his website.
Tips for photographing rural landscapes
Do you know those rural areas where people notice that nothing ever happens? Well, you can turn “boring” into beautiful with rural landscape photography. In a new video, Mads photographer Peter Iversen shares tips and ideas for taking great photos in rural and cultivated landscapes. As Iversen demonstrates, you don’t have to live in areas with epic views to take great landscape photos.
Capture One Live: Editing Your RAW Images
David Grover hosted a webinar on the Capture One Pro YouTube channel on editing RAW images in Capture One 21. In the approximately one hour presentation, Grover works through various images, showing many tools and functions. Capture One edition.
How to use flashes and light modifiers
Photographer Mark Wallace has a new video for Adorama in which he shows everything you can achieve in the studio using flashes and light modifiers. Wallace uses a softbox, grid, and light strip to dramatically change the overall feel of his lighting setup.
OnSet with Daniel Norton: Differences between male and female lighting
While it’s good to narrow down the individual lighting setups by subject, it’s also helpful to have some sort of standard frame to build from. In a new livestream, Daniel Norton demonstrated how to use different principles and lighting configurations to accentuate a subject’s feminine or masculine characteristics.
Stop obsessing over noise and blown highlights
Blake Rudis from F64 academy thinks you need to stop worrying about noise and blown reflections in your images. Why? Because he thinks photography is all about printing. As a print lover, I might not go so far as to say that noise and blown highlights don’t matter, but I agree that they matter a lot. less when printing. Consider a soufflé highlight. When printing, it takes on the characteristics of the paper you are printing on. It’s white paper. It’s much nicer to have texture in your clipped highlight.
Regarding noise, prints do not show visible noise in the same way as your computer screen. It might be there on the print, but it’s not as obvious, especially if you’re printing on textured paper. Very fine-grained noise mixes quite well. These technical flaws in a digital file may be less noticeable in a print or even add a bit of character.
Quick tip: add a border to any photo in Photoshop
For experienced Photoshop users, this short video from Phlearn can focus on something obvious. But for beginners or those who don’t know how to quickly add a border to an image in Adobe Photoshop, watch the one-minute video below to find out how.